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Essential
Architecture- Egypt
Colossi of Memnon |
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architect
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location
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Thebes |
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date
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14th century BC |
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style
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Ancient Egyptian
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construction
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type
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Monument |
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The Colossi of Memnon
New Kingdom: 18th Dynasty; Amenophis III's reign: 1391-1353 BCE
These two colossal statues (about 20 meters high) of the deified
Amenophis III once flanked the entrance of the first pylon at the
pharaoh's mortuary temple. The temple is now completely destroyed,
ruined first by flood waters and later cannibalized for its stone. Both
statues are damaged as well, lacking their faces and tall royal crowns.
These colossal statues illustrate the gigantism of much of
Egyptian art. See also the colossal statue of Ramses in the Memphis
Museum and the statues at the entrance of the Temple of Luxor.
The left (or Southern colossus)
This statue has Amenophis' wife, Queen Tiy, and mother (Mutememuia)
on opposite sides of the base.
Details of the base of the left (South) Colossus
The thrones of both statues depict two Nile gods winding the
papyrus and lotus, symbols of Lower and Upper Egypt, around the
hieroglyph for "unite." This is a common motif; see, for example, the
thrones for the figures at the Temple of Ramses at Abu Simbel.
Technically only the right (northern) statue should be called the
colossus of Memnon. After an earthquake damaged it, this statue emitted
strange sounds in the morning, perhaps due to the heat of the sun, or
the humidity of the night. "The ancient Greeks looked for an explanation
in the legendary story by Homer about Memnon, the son of Eos (Aurora)
and Titon, who was killed by Achilles and reappeared in Thebes as a
statue, and every morning lamented at the sight of his mother rising in
the skies" (Siliotti 122).
The right (northern) statue
This statue was repaired in 199 CE; it sang no more.
Details of the right (north) statue
Work Cited: Alberto Siliotti. Guide to the Valley of the Kings.
New York: Barnes and Noble, 1997.
With special thanks to the Digital Imaging Project
http://www.bluffton.edu/~sullivanm/index/index2.html
Images copyright Mary Ann Sullivan.
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Colossi of Memnon
The Colossi of Memnon (known to locals as el-Colossat, or
es-Salamat) are two massive stone statues of Pharaoh Amenhotep III. For
the past 3400 years they have stood in the Theban necropolis, across the
River Nile from the modern city of Luxor.
The twin statues depict Amenhotep III (fl. 14th century BC) in a
seated position, his hands resting on his knees and his gaze turned
eastward toward the river and the rising sun. Two shorter figures are
carved into the front throne alongside his legs: these are his wife Tiy
and mother Mutemwiya. The side panels depict the Nile god Hapy.
The statues are made from blocks of quartzite sandstone which was
quarried at either Giza (near modern-day Cairo) or Gebel el-Silsila (60
km north of Aswan). Including the stone platforms on which they stand,
they reach a towering 18 metres (approx. 60 ft) in height.
The original function of the Colossi was to stand guard at the
entrance to Amenhotep's memorial temple (or mortuary temple): a massive
cult centre built during the pharaoh's lifetime, where he was worshipped
as a god-on-earth both before and after his departure from this world.
In its day, this temple complex was the largest and most opulent in
Egypt. Covering a total of 35 ha, even later rivals such as Ramesses
II's Ramesseum or Ramesses III's Medinet Habu were unable to match it in
area; even the Temple of Karnak, as it stood in Amenhotep's time, was
smaller.
With the exception of the Colossi, however, very little remains
today of Amenhotep's temple. Standing on the edge of the Nile
floodplain, successive annual inundations gnawed away at the foundations
– a famous 1840s lithograph by David Roberts shows the Colossi
surrounded by water – and it was not unknown for later rulers to
dismantle, purloin, and reuse portions of their predecessors' monuments.
The Greek historian and geographer Strabo, writing in the early
years of the 1st century, tells of an earthquake (in 27 BC) that
shattered the northern colossus, collapsing it from the waist up.
Following its rupture, this statue was then reputed to "sing"
every morning at dawn: a light moaning or whistling, probably caused by
rising temperatures and the evaporation of dew inside the porous rock.
The legend of the "Vocal Memnon", the luck that hearing it was reputed
to bring, and the reputation of the statue's oracular powers, travelled
the length of the known world, and a constant stream of visitors,
including several Roman Emperors, came to marvel at the statues. The
mysterious vocalisations of the broken colossus ceased in 199, however,
when Emperor Septimius Severus, in an attempt to curry favour with the
oracle, reassembled the two shattered halves.
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links
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www.essential-architecture.com
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