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Essential
Architecture- Iran
Great Mosque (Masjid-I Jami) |
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architect
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location
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Isfahan |
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date
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8th to 17th c. |
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style
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Islamic Buyid, Safavid, Seljuk
Persian |
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construction
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brick |
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type
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Mosque |
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Plan in 10th c.and
present plan (Iwans added
in 1125)
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Aerial view
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North Dome chamber, 1075 and North Dome, Vaulting |
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The Friday Mosque as it stands now is the result of continual
construction, reconstruction, additions and renovations on the site from
around 771 to the end of the twentieth century. Archaeological
excavation has determined an Abbasid hypostyle mosque in place by the
10th century. Buyid construction lined a façade around the courtyard and
added two minarets that are the earliest example of the double minaret
on record.
Construction under the Seljuqs included the addition of two brick
domed chambers, for which the mosque is renowned. The south dome was
built to house the mihrab in 1086-87 by Nizam al-Mulk, the famous vizier
of Malik Shah, and was larger than any dome known at its time. The north
dome was constructed a year later by Nizam al-Mulk's rival Taj al-Mulk.
The function of this domed chamber is uncertain. Although it was
situated along the north-south axis, it was located outside the
boundaries of the mosque. The dome was certainly built as a direct
riposte to the earlier south dome, and successfully so, claiming its
place as a masterpiece in Persian architecture for its structural
clarity and geometric balance. Iwans were also added in stages under the
Seljuqs, giving the mosque its current four-iwan form, a type which
subsequently became prevalent in Iran and the rest of the Islamic world.
Responding to functional needs of the space, political ambition,
religious developments, and changes in taste, further additions and
modifications took place incorporating elements from the Mongols,
Muzzafarids, Timurids and Safavids. Of note is the elaborately carved
stucco mihrab commissioned in 1310 by Mongol ruler Oljaytu, located in a
side prayer hall built within the western arcade. Safavid intervention
was largely decorative, with the addition of muqarnas, glazed tilework,
and minarets flanking the south iwan.
The cupolas and piers that form the hypostyle area between the
iwans are undated and varied in style, endlessly modified with repairs,
reconstructions and additions.
Sources:
Blair, Sheila S. and Jonathan M. Bloom. 1994. The Art and
Architecture of Islam. New Haven: Yale University Press.
Galdieri, Eugenio. 1972. Isfahan: Masgid-i Gum'a. Rome: IsMeo.
Grabar, Oleg. 1990. The Great Mosque of Isfahan. New York: New
York University Press.
Michell, George. 1978. Architecture of the Islamic World. London:
Thames and Hudson.
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links
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Special thanks to the Islamic architecture website
http://archnet.org/ |
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www.essential-architecture.com
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