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Essential
Architecture- Jordan
Qusayr Amra Little Palace at Amra |
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architect
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location
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Azraq, Jordan |
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date
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720
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style
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Islamic |
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construction
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stone |
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type
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baths,
Palace |
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plan and exterior and interior |
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Throne niche |
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Kings and emperors paying homage
and Nude woman |
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This red limestone palace is located on the edge of a desert oasis,
approximately 50 miles east of Amman. It has been asserted that the
Umayyad Caliph al-Walid built Qusayr 'Amra between 712 and 715 AD.
Small in scale yet extremely well preserved, it structurally
contains two main components: an audience hall and a bath. One enters
the building from the north into the rectangular audience hall. Across
from the main entrance stands an alcove with two little windowless rooms
to either side, admitting light strictly from their entryways and
reflections from the floors cemented in glass mosaics. The three rooms
that make up the bath -- presumably the apodyterium, tepidarium, and
caldarium, respectively -- are situated to the east of the hall's main
entrance: one of which is tunnel-vaulted; another that is cross-vaulted
and the third contains a dome. (Please see the plan.) To the east of the
caldarium, a tunnel-vaulted passageway extends into a rectangular
enclosed space that remains uncovered. Architecturally, Qusayr 'Amra's
most impressive characteristic is its vaulting system, specifically in
its use of pointed transverse arches. The incidence of such features
demonstrates a strong eastern influence, as there are no known western
examples of these arches until at least the end of the eleventh century.
Qusayr 'Amra is celebrated for the richly painted frescoes that
decorate each of its rooms. These paintings depict a variety of subjects
including hunting scenes, athletic activity, mythological images, and
astronomical representations. For example, painted on the dome in the
caldarium are signs of the zodiac coupled with illustrations of the
primary constellations found in the northern hemisphere. This portrayal
is of monumental significance in that it is the earliest known example
of stellar representation on a non-flat, semi-circular surface. Another
equally important set of frescoes is located in the audience hall. In
the apse-like throne chamber, one painting commemorates a haloed
dignitary, possibly representing the caliph, who sits under a canopy of
fabric encircled by birds and monsters. Communicating with this image,
at the southern section of the west wall, another depiction renders six
lavishly robed figures, three of which lie in the foreground with
extended arms to their right and three others positioned behind them.
The first four figures in the painting are the Byzantium emperor, the
Persian Shah, the Ethiopian Negus, and the Visigothic king, Roderick,
confirmed through Greek and Arabic inscriptions superscribed over each
leader. It has been posited that the remaining two figures are the
emperor of China and the Khan of the Turks, and that these two frescoes
together symbolize the Islamic caliph's ascendancy over a powerful
assembly of contemporaneous kings.
The main palace of Qusayr 'Amra is just one structure of a larger
site. In the early 1970s, the Spanish Archaeological Mission excavated
the area and discovered the remnants of a smaller courtyard castle
almost 300 meters northwest. In addition, the Mission revealed the
vestiges of a tower and a hydraulic complex composed of a well,
waterwheel, and cistern. Behind the wadi they also found a succession of
short wide walls used to prevent soil erosion, which indicates that
users of the site engaged in agricultural pursuits.
Sources:
Creswell, K. A. C.1989. A Short Account of Early Muslim
Architecture. Rev. ed. Allan, James W. Aldershot: Scolar Press, 105-117.
Warren, John. 1978. Syria, Jordan, Israel, Lebanon. In
Architecture of the Islamic World Its History and Social Meaning. Edited
by Mitchell, George. London: Thames and Hudson, 235.
Yeomans, Richard. 1999. The Story of Islamic Architecture.
Reading, UK: Garnet Publishing, 40-41.
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links
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www.essential-architecture.com
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