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| Turkey
islamic architecture
click here for
Istanbul |
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| 001 Ciffe Minare
Madrasa, Erzurum |
002 Karatay Madrasa,
Konya |
003 Sultan Han,
Kayseri (near) |
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| 004 Yesil Cami (Green
Mosque), Bursa |
005 Selimiye Mosque
(Minar Sinan), Edirne |
006 The Great Mosque
and Hospital of Divrik |
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| 007 The Great Mosque
of Dunaysir |
008 |
009 |
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Ottoman architecture
Ottoman architecture is the architecture of the Ottoman Empire which
emerged in Bursa and Edirne in 14th and 15th centuries. The architecture
of the empire developed from the earlier Seljuk architecture and was
heavily influenced by the Iranian, and to a larger extent, Byzantine
architecture as well as Islamic Mamluk traditions after the conquest of
Constantinople by the Ottomans.[1][2][3] For almost 500 years Byzantine
architectural artifacts such as the church of Hagia Sophia served as
models for many of the Ottoman mosques.[3] Overall, Ottoman architecture
has been described as a synthesis of the architectural traditions of the
Mediterranean and the Middle East.[4]
The Ottomans achieved the highest level architecture in their lands
hence or since. They mastered the technique of building vast inner
spaces confined by seemingly weightless yet massive domes, and achieving
perfect harmony between inner and outer spaces, as well as light and
shadow. Islamic religious architecture which until then consisted of
simple buildings with extensive decorations, was transformed by the
Ottomans through a dynamic architectural vocabulary of vaults, domes,
semi domes and columns. The mosque was transformed from being a cramped
and dark chamber with arabesque-covered walls into a sanctuary of
aesthetic and technical balance, refined elegance and a hint of heavenly
transcendence.
Early architecture

Water Fountain in Istanbul, 1878
In their homeland in Central Asia, Turks lived in dome-like tents
appropriate to their natural surroundings. These tents later influenced
Turkish architecture and ornamental arts. When the Seljuks first arrived
in Iran, they encountered an architecture based on old traditions.
Integrating this with elements from their own traditions, the Seljuks
produced new types of structures, most notably the "medrese" (moslem
theological schools). The first medreses - known as Nizāmīyah - were
constructed in the 11th century by the famous minister Nizam al-Mulk,
during the time of Alp Arslan and Malik Shah I. The most important ones
are the three government medreses in Nishapur, Tus and Baghdad and the
Hargerd Medrese in Khorasan. Another area in which the Seljuks
contributed to architecture is that of tomb monument. These can be
divided into two types: vaults and large dome-like mausoleums.
The Ribat-e Sharif and the Ribat-e Anushirvan are examples of surviving
12th century Seljuq caravanserais, which offered shelter for travellers.
Seljuq buildings generally incorporate brick, while the inner and outer
walls are decorated in a material made by mixing marble, powder, lime
and plaster. In typical buildings of the Anatolian Seljuq period, the
major construction material was wood, laid horizontally except along
windows and doors where columns were considered more decorative.
Early Ottoman period

Traditional Turkish house in Ohrid in Macedonia

Interior of Sultanahmet Mosque, İstanbul
With the establishment of the Ottoman empire, the years 1300-1453
constitute the early or first Ottoman period, when Ottoman art was in
search of new ideas. This period witnessed three types of mosques:
tiered, single-domed and subline-angled mosques. The Hacı Özbek Mosque
(1333) in İznik, the first important center of Ottoman art, is the first
example of an Ottoman single-domed mosque.
Bursa Period (1299-1437)
The domed architectural style evolved from Bursa and Edirne. The Holy
Mosque in Bursa was the first Seljuk mosque to be converted into a domed
one. Edirne was the last Ottoman capital before Istanbul, and it is here
that we witness the final stages in the architectural development that
culminated in the construction of the great mosques of Istanbul. The
buildings constructed in Istanbul during the period between the capture
of the city and the construction of the Istanbul Bayezid II Mosque are
also considered works of the early period. Among these are the Fatih
Mosque (1470), Mahmutpaşa Mosque, the tiled palace and Topkapı Palace.
The Ottomans integrated mosques into the community and added soup
kitchens, theological schools, hospitals, Turkish baths and tombs.
Classical period (1437-1703)
During the classical period mosque plans changed to include inner and
outer courtyards. The inner courtyard and the mosque were inseparable.
The master architect of the classical period, Mimar Sinan, was born in
1492 in Kayseri and died in Istanbul in the year 1588. Sinan started a
new era in world architecture, creating 334 buildings in various cities.
Mimar Sinan's first important work was the Şehzade Mosque completed in
1548. His second significant work was the Süleymaniye Mosque and the
surrounding complex, built for Suleiman the Magnificent. The Selimiye
Mosque in Edirne was built during the years 1568-74, when Sinan was in
his prime as an architect. The Rüstempaşa, Mihriman Sultan, Ibrahimpasa
Mosques and the Şehzade, Kanuni Sultan Süleyman, Roxelana and Selim II
mausoleums are among Sinan's most renowned works.
Examples of Ottoman architecture of the classical period, aside from
Turkey, can also be seen in the Balkans, Hungary, Egypt, Tunisia and
Algiers, where mosques, bridges, fountains and schools were built.
Westernization period

A view from in of traditional Turkish houses-Lewis, John Frederick,
1805-1875, British painter
During the reign of Ahmed III (1703-1730) and under the impetus of his
grand vizier İbrahim Paşa, a period of peace ensued. Due to its
relations with France, Ottoman architecture began to be influenced by
the Baroque and Rococo styles that were popular in Europe. The Baroque
style is noted as first being developed by Seljuk Turks, according to a
number of academics.[5][6] Examples of the creation of this art form can
be witnessed in Divriği hospital and mosque a UNESCO world heritage
site, Sivas Çifteminare, Konya İnce Minare museum and many more. It is
often called the Seljuk Baroque portal. From here it emerged again in
Italy, and later grew in popularity among the Turks during the Ottoman
era. Various visitors and envoys were sent to European cities,
especially to Paris, to experience the contemporary European customs and
life. The decorative elements of the European Baroque and Rococo
influenced even the religious Ottoman architecture. On the other hand,
Mellin, a French architect, was invited by a sister of Sultan Selim III
to Istanbul and depicted the Bosphorus shores and the pleasure mansions
(Yalı's) placed next to the sea. During a thirty-year period known as
the Tulip Period, all eyes were turned to the West, and instead of
monumental and classical works, villas and pavilions were built around
Istanbul. However, it was about this time when the construction on the
Ishak Pasha Palace in Eastern Anatolia was going on, (1685-1784).
Tulip Period (1703-1757)
Beginning with this period, the upper class and the elites in the
Ottoman empire started to use the open and public areas frequently. The
traditional, introverted manner of the society began to change.
Fountains and waterside residences such as Aynalıkavak Kasrı became
popular. A water canal (other name is Cetvel-i Sim), a picnic area (Kağıthane)
were established as recreational area. Although the tulip age ended with
the Patrona Halil uprising, it became a model for attitudes of
westernization. During the years 1720-1890, Ottoman architecture
deviated from the principals of classical times. With Ahmed IIIs death,
Mahmud I took the throne (1730-1754). It was during this period that
Baroque-style mosques were starting to be constructed.
Baroque Period (1757-1808)

Ortaköy mosque, Istanbul
Circular, wavy and curved lines are predominant in the structures of
this period. Major examples are Nur-u Osmaniye Mosque, Zeynep Sultan
Mosque, Laleli Mosque, Fatih Tomb, Laleli Çukurçeşme Inn, Birgi Çakırağa
Mansion, Aynali Kavak Summerplace, and Selimiye Barracks. Mimar Tahir is
the important architect of the time.
Empire Period (1808-1876)

Dolmabahce Palace, one of the main palace gates
Nusretiye Mosque, Ortaköy Mosque, Sultan Mahmut Tomb, Galata Lodge of
Mevlevi Derviches, Dolmabahçe Palace, Beylerbeyi Palace, Sadullah Pasha
Yalı, Kuleli Barracks are the important examples of this style developed
parallel with the westernization process. Architects from the Balyan
family were the leading ones of the time.
Late period (1876-1922)
Aksaray Valide Mosque, Sheikh Zafir Group of Buildings, Haydarpasha
School of Medicine, Duyun-u Umumiye Building, Istanbul Title Deed
Office, Large Postoffice Buildings, Laleli Harikzedegan Apartments are
the important structures of this period when an eclectic style was
dominant. R. D'Aronco, A. Vallaury are leading architects of the time.
Notes
^ Necipoğlu, Gülru (1995). Muqarnas: An Annual on Islamic Art and
Architecture. Volume 12. Leiden : E.J. Brill, 60. OCLC 33228759.
Retrieved on 2007-08-20.
^ Behrens-Abouseif, Doris (1989). Islamic Architecture in Cairo: An
Introduction. Leiden ; New York : E.J. Brill,, 29. ISBN 9004086773.
Retrieved on 2007-08-20.
^ a b Rice, John Gordon; Robert Clifford Ostergren (2005). "The
Europeans: A Geography of People, Culture, and Environment". The
Professional geographer 57 (4). ISSN 0033-0124. Retrieved on 2007-08-20.
^ Grabar, Oleg (1985). Muqarnas: An Annual on Islamic Art and
Architecture. Volume 3. Leiden : E.J. Brill,. ISBN 9004076115. Retrieved
on 2007-08-20.
^ Hoag, John D (1975). Islamic architecture. London: Faber. ISBN
0571148689.
^ Aslanapa, Oktay (1971). Turkish art and architecture. London: Faber.
ISBN 0571087817.
References
Goodwin G., "A History of Ottoman Architecture"; Thames & Hudson Ltd.,
London, reprinted 2003; ISBN 0-500-27429-0
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